Archive for February 14, 2012

Untitled Self in Yellow


I painted this large self-portrait, the largest so far, some time last spring. I was exploring with the idea of making a happy painting with a serious face. I don’t even know if this is the final version. I think I worked on it some more after I took the top photo in April. I’m pretty sure I was still working on it come summer. But is it ever final? Only when you die. That’s final. And you can bet it will happen.

It’s big. I used close to two giant Senelier oil pastel sticks.

How I love to get my fingers dirty. The Senelier oil pastels are especially sticky, yum!

Being Brad Pitt

I lied in my previous post. I have done a few small pieces lately, including this Brad Pitt make-over, painted over The Hollywood Reporter cover with Frank W. Ockenfels 3′s portrait of the actor/producer. In a time of photographs being “upgraded” with Photoshop, it’s nice to be able to “downgrade” one with “finger paint”, which is pretty much what oil pastels feels to me. “Happiness is oil pastel in your fingernails.” Of course, as always, this piece is work in progress.

Sorry, Brad. Really. Especially after all the good work you do in New Orleans, building the neighborhood with sustainable homes, through Make It Right, which, by the way, it’s going global.

I was lucky to meet and photograph other people who are making it right in New Orleans. The story was published in different publications, including El Mundo. You can see a gallery of really cool people in the Mercury Press archives: Rebuilding New Orleans five years after Katrina

A touch of humor to end this post:

The Daily Show With Jon Stewart Mon – Thurs 11p / 10c
Exclusive – Brad Pitt Extended Interview Pt. 2
www.thedailyshow.com
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Untitled

Immediately after I finished the last happy self-portrait I set off to making a new one. I wanted to revisit the idea of having both hands in the picture, so as to take turns painting with one hand and then the other. I did this for the first time in one of my first oil pastel self-portraits; everybody tells me that it reminds them of The Scream. I also wanted to use up all the colors that I never use, since I was running out of bright colors anyhow. So I started with pink, purple, black and beige… The sequence below was all done in one day (actually in just over one hour, which is fast for me), last November. Interestingly, I ended the session by drifting to oranges and blues, colors that I tend to use more. But one thing was different, I left some black showing through; I normally don’t use black at all, except when I painted the black-and-white self portrait, Thinking of Basquiat. And yes, I wanted to make a serious portrait for no particular reason, perhaps to balance the happy one.

I left the drawing in the studio for months. I wanted to continue painting it, but I didn’t. I can make many excuses, but the thing is that I didn’t. Nevertheless, I’ve been busy with many other creative endeavors, including writing The Magical Seaweed play, so I didn’t miss painting terribly (only a lot). But I did wonder whether I was ever going to finish this self-portrait.

Then, yesterday, after a day in which I felt like people didn’t care for what I had to say, including some of my students in the photography class, I hid in the art studio. I suddenly was in the same mood as the painting I had started over two months ago. I don’t remember ever painting with so much anguish. Below’s the result, although it’s probably not done yet (I ran out of orange!). I won’t touch it much more, as I like the looseness of some of the “brushstrokes”.

Some people don’t like that I paint myself looking sad. Is it because they prefer to think of me as a happy person. Well, I’m a happy person, but I do get sad, and I celebrate that. Besides, as I mentioned before, it’s easier to be serious than laughing when you’re holding a pose in front of the mirror. What do you think?